Madame Courage (2015)

Taciturn, troubled Algerian teenager steals necklace from girl to finance his drug habit, but upon seeing her face, he develops a crush that quickly escalates into unwanted devotion.  

madame-courage

Algeria/France
3.5*

Director:
Merzak Allouache
Screenwriter:
Merzak Allouache
Director of Photography:

Olivier Guerbois

Running time: 90 minutes

Original title: مدام كوراج
Transliterated title:
Mdam Kuraj

The teenager at the heart of Madame Courage is a boy with many troubles, but it is difficult to dislike him. With high cheekbones, a gaunt face, full lips and big eyes that expressionlessly stare straight ahead, Omar lives in a squat with his mother and older sister. Despite the constant stream of religion-based indictment of debauchery broadcast on the family’s television set, his sister Sabrina is involved in prostitution, which their mother appears to sanction for the sake of having food on the table.

The thing the taciturn Omar is most focused on, however, is not food but drugs. The title refers to the name popular among Algerian youth for Artane, which helps Omar to disconnect from reality. He always carries a plastic bag in his pocket filled with these tablets and slides one of them down his throat when the going gets tough, which makes him look like a zombie most of the time, and he buys these pills with money obtained through thievery on the street.

Having established the criminal side of his life in the opening chase scene taking place late at night through deserted streets, the film’s second scene shows him grabbing a necklace from around a high-school girl’s neck before running off. She is devastated, as the piece of jewellery had belonged to her late mother, and her friends comfort her in the relative safety of a café in downtown Mostaganem. By chance, Omar walks past the café a few moments later and is about to enter when he notices her. The rush of the grab having receded by now, he watches her face more intently and is mesmerised, so he decides to follow her home.

The film never offers any real insight into this fascination that Omar has for her (her name is Selma). He doesn’t know she has lost her mother, and she doesn’t know that he has lost his father. However, because of the instability at home, Omar decides to start spending as much time as possible waiting for her next to a rubbish dump in front of the apartment she shares with her senile father and older brother, a policeman. For obvious reasons, the brother makes it clear he doesn’t want Omar around, but there is something about the boy that greatly intrigues Selma, and even though they never speak a word to each other, the teenage sexual tension between them is unmistakable and handled with great sensitivity by director Merzak Allouache.

Small digressions from the storyline, which include a sub-plot with Omar’s sister, Sabrina, and her pimp (who, it appears, is always supposed to marry her) and Omar’s continued life of petty crime are always connected to the main character, who is present in almost every single scene. The hand-held camera further lingers on him to emphasise his presence as the focal point of interest, for example by framing him in the middle of the shot when he is driving his motorcycle. This latter image allows us to see him as being immobile against a mobile background, which is a perfect visual depiction of his life in general.

The relationship, or association, between Omar and Selma is mysterious and beautiful, although one cannot help but wonder whether the chances of them ending up together would ever amount to more than the fantasies Omar likely conjures up when he is high on Madame Courage. This is not exactly Pickpocket, but Selma’s arrival in Omar’s life certainly has a positive effect on him. Her brother, Redouane, is one of the film’s more complex characters, and while he obviously wants to protect his sister and can use the powers afforded to him as an officer of the law to do so, he does not abuse his authority (despite a moment of offscreen violence) but instead seeks to find out what Omar is thinking, which makes him something of a substitute for the viewer.

Although far from comprehensive, Madame Courage offers a striking glimpse of life on the streets of a lower-class teenager in Algeria who has to combat feelings of loneliness, protect himself and his family and deal with the struggles of being a teenage boy infatuated with a girl.

Viewed at the Black Nights Film Festival 2015